We’ve got the gentle chorus, and the Mono Dimension-D. It was a couple hundred views in, and I had quite a few messages asking about it, so let’s go ahead and look at these. Next, I want to talk about some sends, and in the last video, I mentioned that if you want to learn more about the sends, and hit me up.
BUTCH VIG VOCALS PLUGIN TO WORK WITH 10.7 SERIES
Okay, so quite a volume difference, but you hear how we brought that vocal forward? We’ve given it some character, we’ve cleaned it up, and we’ve taken advantage of some of these other plug-ins to help out with the processing going on here with the Signature Series plug-in from Waves a little bit more.
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Really hearing a lot of great reviews on the saturation over in some of the forums.īut, to take it a little bit further, and not to have 30 plug-ins, it’s a cool way to kind of gain some control over that. The EQ sounds great, the filters are awesome, the de-esser works, compression is solid, there’s a lot of great stuff. I’m just looking to have a little more hands-on, OCD approach to what I want this vocal to sound like, while taking advantage of all the beauty that is the Butch Vig plug-in. Okay, so that may be a bit much for your taste, but you can see how just adding that little bit of gain reduction to catch the peaks before we hit the compression within the Butch Vig plug-in, we’re already kind of leveling it out and getting a little more control.Īll about control. Moving on from having the greater control of your reductive EQ phase, we can come in here and we can actually limit this – I’ll use the Waves L1 – we could limit before the plug-in to get rid of some of the openess of the vocal if we want to control that a little more. Maybe you’ve got a bit too much room noise? You want to go hunting for that and find that, you come up here and sweep around, and then pull that back. You’ve got a couple more bands of flexibility if you want to get surgical.
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Okay, so maybe a couple of frequencies that we want to get a little bit tighter on, get out – I’m doing this quickly for example’s sake, but you guys get the point. Come in here and put my low-cut filter where I want that, and now that’s going to get rid of the sub stuff before it goes into the plug-in, so that’s a cool approach, and then what I would do is also listen… So, there’s a nice vibe going on with the Virtual Channel from Slate, and then next what I would do to have a little bit more control would be to use my own EQ in front of the plug-in. I’m going to go ahead and move the Butch Vig plug-in down a couple of patches here, and the first thing I’m going to talk about is the Virtual Mix Rack from Slate, because I love VCC across my mix, I think it’s great, so I’m going to dial in – I’m going to solo this vocal and dial in some gain with that. Just want to take it a little bit further. So, what I want to do is show you how maybe you do use this, but then you want a little bit more control without going through the multiple parallel chains and all that extra stuff.
BUTCH VIG VOCALS PLUGIN TO WORK WITH 10.7 FREE
I’ve shown a video on how you can take stock plugs, and free plug-ins and recreate the different modules and what’s going on here, but now, it’s pretty quick and easy to throw this on and get something sounding really good really quickly.
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An argument could be made that you could recreate all of this. In this video, we’re going to continue on with looking at this Butch Vig plug-in from Waves, but I’m going to take more of a hybrid approach. And then also, for all of the amazing free content over there. We’ve got impulse responses, two sets of multi-tracks, all kinds of stuff for you, just for becoming a subscriber. Go check out, where you can pick up multiple free video courses. Hey, what’s up guys? David Glenn of, home of the free VIP mix training bundle.